Illustrated by Rito Kohsaka
Miyo has been kidnapped and is brought back to the Saimori house where Kaya and her mother try to force Miyo to refuse Kudo's marriage proposal. Kaya believes she will be able to rearrange fiancés and become Kudo's fiancée while giving Kōji to Miyo. Kōji was unable to stop the kidnapping from happening, but he does the next best thing: he brings Lord Kudo to the Saimori house. Lord Tatsuichi tries to stop Kudo from entering the Saimori house, and even forces a bewildered Lord Saimori to stand with him, but the two of them are no match for Kudo's superior strength. In another part of the kingdom, sinister actors put an evil plan into motion by digging up a sealed grave and introducing new grotesqueries into the world, which Kudo's battalion will have to investigate.
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Illustrated by Rito Kohsaka
Miyo continues to heal from her past in Lord Kudo's house, and he doesn't pressure her to tell him what she's been through. Because he has been so generous and kind, Miyo decides she wants to make him a silk hair tie While on a shopping trip, Miyo slips away to buy some silk thread, but, Kudo uses that opportunity to arrange for new kimonos to be made to replace her threadbare ones. While out on the town, the two run into Miyo's sister, Kaya, and suddenly, all of Miyo's healing came undone. Kudo protects Miyo and whisks her home, enraging Kaya and sparking her curiosity as to what she can do to pry Kudo away from Miyo. To hint at some of the mysticism of the world, Kudo must deal with some supernatural threats as part of his military commission, and he ponders on the decline in magical abilities amongst the affluent families. 
Reiji is trapped in his small town life. His brother is a shut-in who constantly berates their mother; his grandmother is suffering from dementia and is the main reason his mother is so tired; and his mom sets him up with a construction job for after high school, effectively killing any aspirations he had of leaving. One night, while out buying food, Reiji realizes that the shop clerk is actually Nagi Aoe, a famous idol singer from a band he enjoys escaping to. She asks him for a tour around town, which he gives her on the back of his bike. At one point, while stopped in a bridge overlooking the town's river, she asks Reiji if he’ll enter a suicide pact with her, similarly to the heroes in a tragic story based on the town. They wind up back at her house where she takes his virginity. Afterwards, Reiji can’t stop thinking about her, her wish to die, and whether he would be better off dead as well.
Illustrated by Rito Kohsaka
Miyo may be the oldest daughter in the prestigious Saimori family, but her step-mother, step sister, and father bear her no love. She is constantly demeaned lower than a servant, and generally abused by the family. When her stepsister gets a marriage proposal, her father decides it’s not good to have Miyo continue to be around the house, so he enters her into a marriage arrangement with a very eligible but purportedly despicable man, Lord Kiyoka Kudo. Miyo tries her hardest to prove she can be a nobleman’s wife, but she lacks refinement and education, and worries Kudo will break off the arrangement and leave her homeless. But what she doesn’t know about Lord Kudo is why his previous betrothals all failed - that he’s not looking for a typical noble woman to be his wife.
Being a moth keeper means having the fate of the whole Night village on your shoulders. Knowing this, Anya takes the oath anyway and sets about training to become the next moth keeper. She is responsible with guiding the moths out of their home, made from a covered tree stump, but getting them back in by sunrise. The moths then pollinate the most important tree in the village, which will also induce a multitude of other desert plants to grow and sprout flowers. One night, Anya decides she isn’t satisfied with just knowing what life is like in the Night village. She visits the villages of creatures who thrive in daylight. Her exhaustion the next night leads to the moths flying away from her sight, and it's up to her and the power of other moon creatures to get the moths back before the tree withers from lack of pollination.
Illustrated by Greg Smallwood and Jordie Bellaire
Marc Spector wakes in a mental hospital, where he has obviously been thoroughly mistreated, judging by the black eyes and a number of other bruises. His psychiatrist, Dr. Emmet, is dismayed by the lack of progress he's made, especially in that he continues to talk about his other personas. He often slips in and out of his mind to talk to Khonshu, his patron god, who is also disappointed that Marc hasn't seen through the lies and broken out of the hospital yet. Marc starts to recognize some of the other patients - Frenchie, Gena, Marlene, Crawley - as people who have been helpful or important in his life. The facade of the hospital starts to crumble, and Marc begins to see the hospital staff as agents of Ammit, with crocodile heads and very foul tempers. Marc struggles to escape the hospital with his friends and maintain a handle on what he knows to be true, while slipping in and out of his other identities: Steven Grant, the successful Hollywood producer; Jake Lockley, a scrappy cab driver; and Moon Knight, the Fist of Khonshu and protector of travelers at night. 
Katie struggles with food as a child, not wanting to eat what her parents gave her and finding interesting ways to hide what she didn’t want to eat. She gives up junk food for lent one year and finds that after her diet change, junk food doesn’t sit well anymore. She starts regulating her food intake and counting calories. She also does lots of long walks to make up for even the slightest slip up. She continues on until she passes out from near-starvation. Her parents rush her to the hospital where she is diagnosed with Anorexia Nervosa. Katie continues to struggle throughout high school and into college, not only with food, but her ability to control her body, her food, and her doubts and anxieties. Just when she thinks she’s found someone to help her heal, it turns out to be even more harmful when Katie realizes she is being sexually assaulted by the one person she had trusted with her recovery.
Vol 2 of Sheets
Summer is coming to a close for Marjorie and Wendell almost a full year after they first meet. Marjorie is about to go into eighth grade, and she is feeling a little uneasy. After being a social outcast all of seventh grade year, her former bully Tessi and her friends have made it their mission to make Marjorie popular. The eighth grade class also has a repeater student - Eliza, the daughter of the PE/Student Government teacher, Mr. Duncan, who "isn't quite ready for high school," according to her dad. Eliza is obsessed with "ghost photography," and strives to capture the supernatural with her old-style camera. Eliza increasingly feels like a ghost amongst her peers - she's outcast, made fun of, and hardly ever invited to any social gatherings. Her obsession with ghosts makes her the laughing stock of the school. Marjorie's social obligations and school work leaves her with less time to hang out with her other-worldy pals, so Wendell starts sneaking out. He runs into Eliza, who doesn’t recognize Wendell as a ghost. 
Legoshi and the drama department are invited to join in with creating floats and other designs for the Festival of the Meteor, the day animals commemorate the meteor that brought about the extinction of the dinosaurs. since they have plenty of experience making backdrops for the plays. Legoshi runs into the rabbit, Haru, again, and can't explain the magnetism he has towards her. Is it predatory? does he like her? Later, the students go out into the city below their school, and they inadvertently find themselves at the steps of the Black Market - a place that sells herbivore meat to carnivores in an attempt to help them keep their urges in check. Legoshi is separated from his friends, and he is forced to confront his nature as a carnivore, and really look at the attraction he has to Haru.
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