In a dystopian-esque world full of deadly assassins and criminals, Shizuka is a seemingly pleasant young girl trying to get by and survive. Few know that she is the contact for one of the most fearsome assassins - her brother Nagi, who has been left paralyzed and comatose after a bullet became lodged in his brain during an attack against Shizuka. However, Nagi can sense someone’s murderous intent, even from long distances away, and he springs to action to defend himself or Shizuka and kill whoever is coming after them. Shizuka, in turn, designs increasingly more destructive wheel chairs to compliment Nagi’s needs to fit the jobs they’ve been hired to complete.
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Illustrated by Kei Urana and Hideyoshi Andou
Rudo meets one of the best cleaners and his would-be trainer, should he join, but his first conversation with Zanka gets off to a less that stellar start thanks to how awkward Rudo can be. After that, Riyo and Rudo go off on what was supposed to be an easy, routine mission, but a giant trash beast bulldozes the barricade and forces Riyo to unleash her vital instrument to cut the beast down. In doing so, the cleaners discover something unsettling and unusual about this beast. Another mission comes in that brings Enjin, Riyo, and Zanka on assignment and Rudo along for the ride as reports of another Sphereite being spotted pique his curiosity.
Illustrated by Shūhei Kamo
In a future that seems much closer to reality than science fiction, the Tokyo Metropolitan Government is aided by private company Blume Japan and its powerful data-collection system, J-ctOS, to help fight, predict, and solve crimes. Some of this doesn’t sit well with Inspector Goda, who thinks J-ctOS incapable of chasing down leads who leave behind no data points. To complicate things further, a cyber activist group known as DEDSEC takes an interest in Goda because he may not be as dumb as all cops, and might prove useful in the fight against corrupt artificial intelligence.
Adapted by Jun Yokoyama
Mysteriously one day, a layer of circular space ships appeared in Earth’s atmosphere but did little else to impact the day to day life on the planet. After the initial shock, humans went about their business, until one day, the little ships started sending down their inhabitants. The elderly people, termed progenitors, needed a place to go and people to care for them. With a promise of a government subsidy, many families took in one or more progenitors. The government was sure they would, in exchange, receive technological advances from these wizened older humanoids. Zhihan, meanwhile, was untrusting and disgruntled, just as her grandma was at first. With few resources for her family, how could she expect to keep another mouth fed?
In a war-torn desolate future, a small group of humans fights desperately against an endlessly replicating monster that seems to have only one weakness: adamantium. With only a few adamantium bullets left, they decide their last hope is to rip a warrior from his timeline. A young girl reaches back into our time and pulls Wolverine forward, but he struggles against her efforts and lands outside their shelter in the wasteland that used to be a city. They rescue him and he sees first hand the terrible enemy they're up against. Wolverine could demand to be sent home, but that means abandoning them to these creatures. Instead, the hero and what's left of these rag-tag warriors must mount a last-ditch, all-out assault against the source of their enemies, hoping they can stop the plague and rebuild their society.
Illustrated by Alexandre Tefenkgi, colored by Lee Loughridge
In a time after the apocalypse, Mezzy is part of the Wasteland Rangers, a group that is part boy-scouts, part doomsday-preppers. She, however, is determined to find her way to the fabled Oasis where everything will be plentiful. Along the way, she takes refuge from pursuing Rangers in a giant tower, where she meets Maceo. Maceo is an inventive young person with tons of television entertainment options, a tape recorder where he records messages to his quarantined (and dead) parents, and loads of vending machines full of candy and treats. He tries to entice Mezzy to stay, but she refuses. Instead, Maceo packs up a giant pile of his belongings, gives one last message to his parents, and follows Mezzy out into the Wasteland, despite her refusal to travel together. Over the next few weeks, Mezzy constantly saves Maceo from wasteland disasters and reluctantly teaches him how to survive, but Maceo shares his hoard of treasures and helps Mezzy understand what it means to live.
Illustrated by Elisa Romboli
In a United Kingdom that has already been ravaged by war, soldiers have magical Medium Stones that augment their deadly fighting skills. Uriel is dissatisfied with the powerful Eden Army, which uses their Medium to oppress and exploit others. She steals a Justice Light, a powerful type of medium, and absconds to join the Eclipse Rebels in the fight to bring Eden down. Uriel also has a mind for inventions and hopes her inside knowledge and creativity can bring more solutions to the Eclipse as they face a foe much larger and much more powerful than they. Along the way, Uriel has to prove herself to the rebels by not only providing them with valuable information but attuning with a stone that already has a master.
Illustrated by Lauren Knight, colored by Sofie Dodgson, flatted by Shayne Hannah Cui, lettered by Becca Carey
In this world, any woman who is past child-bearing years has been deemed useless to society and is banished to a remote island off the coast of any civilization. There, these women have made their own society and rules a-la Lord of the Flies. There is a group dedicated to helping with anyone deceased; there are the Red Hats who seem bent on destruction and domination; and there's Rosie and her friends, Lottie, and Caroline, who just want to raise chickens, have tea, and keep to themselves. Jay has been thrust into this world a little unexpectedly, having gone through early-onset menopause, and is now seen as a threat to the equally young leader of the Red Hats. There's also lots of backmatter that includes book reviews, recipes, and insights into the workings of the island.
Illustrated by Dustin Nguyen
Eight young children play amidst destroyed buildings and derelict cars that spell out with certainty an apocalypse they all lived through. Some doodle on the buildings, others strum guitars. All of them are vampires. A few find rodents to eat, but then, they smell something they've never encountered before - a human - and it starts to make them salivate. A few of them attack the human and taste blood that is more delicious than anything they've had before, so they continue to hunt for more humans. Half of the group is reluctant to leave the city and disobey their creators, but the others can never go back to draining rats again.
Adapted and illustrated by Renee Nault
This dystopian story follows Offred, a handmaid to a powerful man in a relatively new society based on the Old Testament of the Bible. For many reasons, many of the people in Gilead are infertile, so fertile women are trained and assigned to powerful men for procreation. Offred is sent to the home of Mr. And Mrs. Waterford in the hopes that Frederick Waterford will impregnate her and the family will be able to have a child. Offred manages simple chores with her partner, another handmaid, attends the birth of a child from another handmaid, and navigates a scandalous friendship with Commander Fred. She also shows how Gilead was formed and the torturous training she went through to become a handmaid, as well as ponder often what happened to her daughter and husband she had before the fall of America. |
About MeI've been reading manga and comicbooks for years. Now, I write reviews and other helpful things for School Librarians, teachers, parents, and students. Search this siteRatings, Audience, and Subject Tags
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