Illustrated by Pedro J. Colombo, colored by Aintzane Landa
This story is based on true events of the life of Francisco Boix, a prisoner of war interned at Mauthausen.
Boix is a Spaniard and a newspaper photographer and communist who is captured in France and sent to several camps before ending up at Mauthausen. For a while, Francisco works as a translator, tasked with translating the insults German soldiers hurl at the prisoners. Later, Francisco is moved up to working in the photography lab at the camp, where he discovers that the SS are meticulously documenting the deaths of prisoners, but staging them and classifying them as suicides or escape attempts. Despite the dangers to his life and the life of those in the camp, Francisco decides it is exceedingly important to get the negatives of these photos out of the camp to show the world what the Nazis were really doing in these extermination camps. After the war, Francisco participates as a witness in the Nuremberg trials, but he finds that most people cannot fathom the photos so many risked their lives to save.
Illustrated by Bex Glendining
In this title, readers are presented with details of the life of sculptor Mary Edmonia Lewis, a woman of Native American and African American descent. Her educational journey was distinctly and full of prejudice and false assumptions, so she wasn’t allow to finish college. She felt drawn to sculpting, and tried to find a teacher under whom she could apprentice. After several re-elections, she finally found someone who would train her in the art of bust-making. When buying busts became less fashionable, she moved to Rome to fully immerse herself in the art form. While in Rome, she was criticized for spending money on piano lessons and attending parties of the elite, but, arguably, she had to associate herself worth the people who were more likely to buy sculptures. Her most famous work is the Death of Cleopatra, which was almost lost to time and weather when it was placed outside the entrance to a horse racing track.
Illustrated by Michael Sloan
In the Fall of 2016, the Aldabaan family receives word that they have been approved to travel from Jordan to the United States. Brothers Ibrahim and Issa are able to emigrate with their families, but they are leaving behind their mother and another brother and family. This is after they have all fled war-torn Syria. The eldest son, Naji, can't wait for the family to start their new lives in the United States, but the political climate has Ibrahim and his wife, Adeebah, unsure of what they're going in to. Once in Connecticut, they receive help from IRIS, a refugee resettlement agency, and told that they need to become self-sufficient within four months. The whole family adjusts to oddities of America, such as basements and Life Alert. Naji and his sister, Amal, start school and are treated as outcasts. The family constantly wonders if they've really left behind the worse life.
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